Applying shades of Autumn, the audience were encouraged to leave a trace of their presence and movement; adding to intertwined figurative outlines, akin to energetic mapping of a dance off. These scenes of per formative production were timelapse documented to create a overlapping series of projected collages. Overtime the linear tableaux were reversed and transformed into a series of tactile sculptures. These ‘objet d’art’ were displayed, observed, enjoyed and even adorned.
The installation materials ordinarily removed and discarded, are celebrated, re-used and re-imagined. An evolving, live archive of man[dy]made vs [un]natural.
Circuit, Flipside Festival, Firstsite 2016.
Mandy Roberts 
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